https://www.danslavinsky.com/gallery-test daily 0.75 2019-01-20 https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547914204164-9DF5HWOD8PJYEP4FCFC8/preview.jpg Bildungsroman - Description title 1 ‘Picture title 3434343’ BILDINGSROMAN SERIES: ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau. Each drawing is one step towards establishing a new lexicon of ‘soft’ ornament (and consequently a new architectural style) based on this new approach. It will be the business of architects of the future to design and give shape to technologies that will emerge – and these drawings serve as hints to what the working drawings may one day feel like. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547914204164-9DF5HWOD8PJYEP4FCFC8/preview.jpg Bildungsroman - Description title 1 ‘Picture title 3434343’ BILDINGSROMAN SERIES: ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau. Each drawing is one step towards establishing a new lexicon of ‘soft’ ornament (and consequently a new architectural style) based on this new approach. It will be the business of architects of the future to design and give shape to technologies that will emerge – and these drawings serve as hints to what the working drawings may one day feel like. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547919130491-BGXOO8ZPLVDIJYKWXRU1/Dan+Slavinsky_Bildungsroman_01.jpg Bildungsroman I. “BIRTH/ROOTS” BILDUNGSROMAN: An auto-biographical series, drawn to remember the things I had learnt and the experiences that were shaping my world view. Bildungsroman: noun. [bil· dungs· ro· man | bɪldʊŋsromaːn] Literature: A novel concerned with a character’s formative years and development. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547919613003-V4AKDUJME4DFTW4JVPTZ/Dan+Slavinsky_Bildungsroman_02.jpg Bildungsroman II. “RULES (MOTOR STOP I)” BILDUNGSROMAN: An auto-biographical series, drawn to remember the things I had learnt and the experiences that were shaping my world view. Bildungsroman: noun. [bil· dungs· ro· man | bɪldʊŋsromaːn] Literature: A novel concerned with a character’s formative years and development. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547914241063-NAKTDX0BK4SMIA9FZD6L/Bildungs_003.jpg Bildungsroman https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547920508333-JG19DHLZ0NWEK9SGJ1KE/Dan+Slavinsky_Bildungsroman_03.jpg Bildungsroman III. “SPRING” BILDUNGSROMAN: An auto-biographical series, drawn to remember the things I had learnt and the experiences that were shaping my world view. Bildungsroman: noun. [bil· dungs· ro· man | bɪldʊŋsromaːn] Literature: A novel concerned with a character’s formative years and development. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547920512163-N7TZ19UN7QIJ9PR867NV/Dan+Slavinsky_Bildungsroman_04.jpg Bildungsroman IV. “INSPIRATIONS” BILDUNGSROMAN: An auto-biographical series, drawn to remember the things I had learnt and the experiences that were shaping my world view. Bildungsroman: noun. [bil· dungs· ro· man | bɪldʊŋsromaːn] Literature: A novel concerned with a character’s formative years and development. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547920530458-8J8XC9VN3XJ0S0OJBLBP/Dan+Slavinsky_Bildungsroman_05.jpg Bildungsroman V. “IDENTITIES” BILDUNGSROMAN: An auto-biographical series, drawn to remember the things I had learnt and the experiences that were shaping my world view. Bildungsroman: noun. [bil· dungs· ro· man | bɪldʊŋsromaːn] Literature: A novel concerned with a character’s formative years and development. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547920536976-969VXCVUK6YXRAWZU89X/Dan+Slavinsky_Bildungsroman_06.jpg Bildungsroman VI. “FLAT WHITE (MOTOR STOP II)” BILDUNGSROMAN: An auto-biographical series, drawn to remember the things I had learnt and the experiences that were shaping my world view. Bildungsroman: noun. [bil· dungs· ro· man | bɪldʊŋsromaːn] Literature: A novel concerned with a character’s formative years and development. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547920550640-X2KQHO2AQXNMV3UJFU4U/Dan+Slavinsky_Bildungsroman_07.jpg Bildungsroman VII. “DREAMS OF DARK ANGLE (MOTOR STOP III)” BILDUNGSROMAN: An auto-biographical series, drawn to remember the things I had learnt and the experiences that were shaping my world view. Bildungsroman: noun. [bil· dungs· ro· man | bɪldʊŋsromaːn] Literature: A novel concerned with a character’s formative years and development. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547920561298-5NSL79FJXY2P1USJKE8Z/Dan+Slavinsky_Bildungsroman_08.jpg Bildungsroman VIII. “NEBEL/LEBEN” BILDUNGSROMAN: An auto-biographical series, drawn to remember the things I had learnt and the experiences that were shaping my world view. Bildungsroman: noun. [bil· dungs· ro· man | bɪldʊŋsromaːn] Literature: A novel concerned with a character’s formative years and development. [500 x 700mm] https://www.danslavinsky.com/arcadia daily 0.75 2019-01-22 https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547925931710-PQWZXQS7KZMBL0OBESL7/Dan+Slavinsky_Arcadia_036.jpg Arcadia https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547925931710-PQWZXQS7KZMBL0OBESL7/Dan+Slavinsky_Arcadia_036.jpg Arcadia https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188043012-RNAZ6EVOHBQPCUS4R8NK/Dan+Slavinsky_Arcadia_021.jpg Arcadia “UNTITLED NO. 21” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188053362-PTXC55PMNM3SCBA9CKBU/Dan+Slavinsky_Arcadia_032.jpg Arcadia “UNTITLED NO. 32” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188053542-6PVXQE7EVNMJN7RQTVNC/Dan+Slavinsky_Arcadia_029.jpg Arcadia “UNTITLED NO. 29” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188067196-S43CWU1VG4GY6QPC0E8G/Dan+Slavinsky_Arcadia_034.jpg Arcadia “UNTITLED NO. 34” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [500 x 500mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188146134-1UDIH7YQQ1A51R0WBA98/Dan+Slavinsky_Arcadia_040.jpg Arcadia “UNTITLED NO. 40” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [840 x 1500mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188149723-LPOOZSO7E7Y5DVOWNFY3/Dan+Slavinsky_Arcadia_040_Zoomed.jpg Arcadia “UNTITLED NO. 40” - Fragment ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [840 x 1500mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188157411-ZKISFUL0LOXP6XI7M7NZ/Dan+Slavinsky_Arcadia_041.jpg Arcadia “UNTITLED NO. 41” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [660 x 1016mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188162689-87DYUHSRINNY3SKTL63W/Dan+Slavinsky_Arcadia_041_Zoomed.jpg Arcadia “UNTITLED NO. 41” - Fragment ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [660 x 1016mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188137254-77Q0W81FW70KLE0SEE2A/Dan+Slavinsky_Arcadia_039.jpg Arcadia “UNTITLED NO. 39” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [565 x 765mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188116984-E1I82MJ0P9NJJBFNDXSR/Dan+Slavinsky_Arcadia_038.jpg Arcadia “UNTITLED NO. 38” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [565 x 765mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188115318-LVOALKA0W31P7IC8VPRK/Dan+Slavinsky_Arcadia_037.jpg Arcadia “UNTITLED NO. 37” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [565 x 765mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188090715-5OLLJ66CHEJ49P3LOLS4/Dan+Slavinsky_Arcadia_036.jpg Arcadia “UNTITLED NO. 36” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [565 x 765mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188086096-13WQUOQUKR6FTGTNYN72/Dan+Slavinsky_Arcadia_036_Garden.jpg Arcadia “ARCADIA” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [500 x 700mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188043142-AWRAJASTXKW9ZCLPZXY0/Dan+Slavinsky_Arcadia_018.jpg Arcadia “ABSYNTHE SET” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [841 x 594mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188040041-912TAMAWI2CYDL9J38KC/Dan+Slavinsky_Arcadia_019.jpg Arcadia “UNTITLED NO. 19” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [594 x 841mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188024554-NMCNZMA950PMH7FVZWIL/Dan+Slavinsky_Arcadia_013.jpg Arcadia “UNTITLED NO. 13” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [594 x 841mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188029522-T3MN0BALSP1TQRPTWM5P/Dan+Slavinsky_Arcadia_015.jpg Arcadia “THE BRIDE OF DENMARK” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [841 x 594mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548188068373-R2X4SST9LQ0ABPC0L9FX/Dan+Slavinsky_Arcadia_033.jpg Arcadia “UNTITLED NO. 33” ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete. [841 x 594mm] https://www.danslavinsky.com/gaokarena daily 0.75 2019-01-20 https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548013602886-NWBC7BIMANDHVUBGM3MW/Dan+Slavinsky_Gaokarena_01.jpg Gaokarena https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548013602886-NWBC7BIMANDHVUBGM3MW/Dan+Slavinsky_Gaokarena_01.jpg Gaokarena https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548013684401-RZDQ0FSLB9FC7ZIJJXNG/Dan+Slavinsky_Gaokarena_01.jpg Gaokarena GAOKERENA: The sacred White Haoma plant, characterised as the Tree of Life in Ancient Iranian mythology. Here it is the central motif for a marriage blessing. [420 x 594mm] Ink on paper https://www.danslavinsky.com/ayron daily 0.75 2019-01-22 https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547931104441-4QN7ZQYFBDA6G231FWQO/Dan+Slavinsky_Ayron_01.jpg "Ayron" https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547931104441-4QN7ZQYFBDA6G231FWQO/Dan+Slavinsky_Ayron_01.jpg "Ayron" https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547933519299-F4TOSOMMQCLNGHZMEYVH/Dan+Slavinsky_Ayron_00_Cover.jpg "Ayron" AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1548021430976-DWRS0BFBQREO09XYA1SL/Dan+Slavinsky_Ayron_00_Inside+Leaf.jpg "Ayron" “DEDICATION” AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547934840768-BK0ZY14NHX8F6QWX7G10/Dan+Slavinsky_Ayron_01.jpg "Ayron" [p.01] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935655147-Y7ZK42F1RWIP9RQKSX1B/Dan+Slavinsky_Ayron_02.jpg "Ayron" [p.02-03] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935780938-XVPKWK1HBIUDST694644/Dan+Slavinsky_Ayron_04.jpg "Ayron" [p.04-05] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935981036-UK1HDRT6CVKL9XIKNJ7H/Dan+Slavinsky_Ayron_06.jpg "Ayron" [p.06-07] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547934970890-TN7BQNPRAI12XLQU5MTM/Dan+Slavinsky_Ayron_08.jpg "Ayron" [p.08-09] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547931226171-7BRGH0YH1A3573UI5H0F/Dan+Slavinsky_Ayron_01.jpg "Ayron" https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935037862-CLSJ7HI36ZF7TJR056F0/Dan+Slavinsky_Ayron_10.jpg "Ayron" [p.10-11] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935007682-3XMSL944S7TAU31T16VY/Dan+Slavinsky_Ayron_12.jpg "Ayron" [p.12-13] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935071867-3TN4Y4BUMCZBV61AMGO3/Dan+Slavinsky_Ayron_14.jpg "Ayron" [p.14-15] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935104088-FIZFS2H12V86JNNFYHGZ/Dan+Slavinsky_Ayron_16.jpg "Ayron" [p.16-17] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935135123-SZS0ZI7HNEQ2A7LJXB2R/Dan+Slavinsky_Ayron_18.jpg "Ayron" [p.18-19] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935164766-6TSSOD594OKEVWH5XBZL/Dan+Slavinsky_Ayron_20.jpg "Ayron" [p.20-21] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935200858-GVT7JM04N0V6X1WN3K2S/Dan+Slavinsky_Ayron_22.jpg "Ayron" [p.22-23] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935209493-WTGNRMB4RVBXMW7RLMFG/Dan+Slavinsky_Ayron_24.jpg "Ayron" [p.24-25] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935262274-E0CTPF3XBR3N7R7QCN9Z/Dan+Slavinsky_Ayron_26.jpg "Ayron" [p.26-27] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935251365-07OPISKA2BF5900LTG0G/Dan+Slavinsky_Ayron_28.jpg "Ayron" [p.28-29] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935317233-CCO4W1PU3BEY98ZVTFED/Dan+Slavinsky_Ayron_30.jpg "Ayron" [p.30-31] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935306658-TKHW1HYPPN5U6E646F2B/Dan+Slavinsky_Ayron_32.jpg "Ayron" [p.32-33] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935335801-W92KYVP77ATOXDBWKDZF/Dan+Slavinsky_Ayron_34.jpg "Ayron" [p.34-35] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547936172794-31HDV11UVKT62JAKNKJ5/Dan+Slavinsky_Ayron_36.jpg "Ayron" [p.36] AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547935356800-YME1D8MK65RQB9G5ZTNO/Dan+Slavinsky_Ayron_37_Back+cover.jpg "Ayron" “TRIBUTE” AYRON: A 36-page graphic narrative in three chapters. Based on a dream several summers ago having recently read J. G. Ballard’s ‘THE DROUGHT’ 1965. Soundtrack: Dominik Eulberg ‘APUS APUS’ Radiomix 2013 & The Cranberries ‘ZOMBIE’ 1994. https://www.danslavinsky.com/recent-work daily 0.75 2019-08-11 https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547927678040-A0X3LAI1WGC9OQ7SNCBW/Dan+Slavinsky_Salamu_01.jpg Salamu “HEADDRESS” SALAMU: To become black (Ancient Sumerian) [550 x 750mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547927678040-A0X3LAI1WGC9OQ7SNCBW/Dan+Slavinsky_Salamu_01.jpg Salamu “HEADDRESS” SALAMU: To become black (Ancient Sumerian) [550 x 750mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1565513810797-JNBXE2B7CIWZJQI351ML/Dan+Slavinsky_Salamu_08jpg.jpg Salamu https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547927673527-E4K8NHVS9DMUWE8U944D/Dan+Slavinsky_Salamu_02.jpg Salamu “UNTITLED NO. 02” SALAMU: To become black (Ancient Sumerian) [550 x 750mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1565513882152-QN4JY2WKMSECQEJ90VZ7/Dan+Slavinsky_Salamu_07.jpg Salamu https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1565451555919-IT94VQVXB1BAQJULFYKR/Dan+Slavinsky_Salamu_04.jpg Salamu https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1565451583793-M394AMERE2E7V51K02T0/Dan+Slavinsky_Salamu_06.jpg Salamu https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1547927691511-0CT2O9A6O7IJCPULI3XN/Dan+Slavinsky_Salamu_03.jpg Salamu “UNTITLED NO. 03” SALAMU: To become black (Ancient Sumerian) [550 x 750mm] https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1559678321920-90QER75KCFIHLNSJI16M/More+to+come_Black.jpg Salamu https://www.danslavinsky.com/stencils daily 0.75 2019-08-10 https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1562021080017-RG9J5F4NG2LIAMYVPT8U/J_Accepte.jpg Stencils - J'ACCEPTE “Je sens en moi quelque chose de trouble qui me fait peur, une violence qui m’épuise. Mais j’accepte la grande aventure d’être moi.” - Simone de Beauvoir “I sense in myself some trouble that makes me afraid, a violence that exhausts me. But I accept the great adventure of being myself” - Simone de Beauvoir https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1562021080017-RG9J5F4NG2LIAMYVPT8U/J_Accepte.jpg Stencils - J'ACCEPTE “Je sens en moi quelque chose de trouble qui me fait peur, une violence qui m’épuise. Mais j’accepte la grande aventure d’être moi.” - Simone de Beauvoir “I sense in myself some trouble that makes me afraid, a violence that exhausts me. But I accept the great adventure of being myself” - Simone de Beauvoir https://www.danslavinsky.com/new-ancients daily 0.75 2019-08-11 https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1565451438281-KQLFUEHREAYZUFBR1MAG/Ancients_01_Isle+of+Noises.jpg [NEW] Ancients https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1565451438281-KQLFUEHREAYZUFBR1MAG/Ancients_01_Isle+of+Noises.jpg [NEW] Ancients https://images.squarespace-cdn.com/content/v1/5c3cf9dbaa49a179625b3188/1565514036546-7OOTVMSCULM79ABDEI4G/Ancients_01_Isle+of+Noises.jpg [NEW] Ancients CALIBAN: Art thou afeard? STEPHANO: No, monster, not I. CALIBAN: Be not afeard; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometime voices That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me that, when I waked, I cried to dream again. 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