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“UNTITLED NO. 21”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[500 x 700mm]
“UNTITLED NO. 32”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[500 x 700mm]
“UNTITLED NO. 29”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[500 x 700mm]
“UNTITLED NO. 34”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[500 x 500mm]
“UNTITLED NO. 40”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[840 x 1500mm]
“UNTITLED NO. 40” - Fragment
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[840 x 1500mm]
“UNTITLED NO. 41”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[660 x 1016mm]
“UNTITLED NO. 41” - Fragment
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[660 x 1016mm]
“UNTITLED NO. 39”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[565 x 765mm]
“UNTITLED NO. 38”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[565 x 765mm]
“UNTITLED NO. 37”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[565 x 765mm]
“UNTITLED NO. 36”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[565 x 765mm]
“ARCADIA”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[500 x 700mm]
“ABSYNTHE SET”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[841 x 594mm]
“UNTITLED NO. 19”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[594 x 841mm]
“UNTITLED NO. 13”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[594 x 841mm]
“THE BRIDE OF DENMARK”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[841 x 594mm]
“UNTITLED NO. 33”
ARCADIA AT THE END OF TIME: A speculation on the idea of ‘living’ or ‘soft’ architecture. The drawings depict an Arcadia frozen at the End of Time (ref: Michael Moorcock’s Legends) – an ambiguous garden of symbolism, which references biotechnology as well as the architectural movement of Art Nouveau, and which will never be complete.
[841 x 594mm]